Smooth Groove Phoenix radio station

I am doing an interview right now with Ron Halloway (his show is 'The Vibe') and Michael Lyles (his show is Smooth Jazz On The Rocks). Both are with Smooth Groove Phoenix Radio (KSGR-DB). 
Got to be good buds over drinks and a pool party last week, and after the studio session winds up today we are hitting the Jazz Clubs together....
Check out the station on your internet station tuner, or on your phone radio streamer...

l-r:  Ron, me, Michael



Foodies and bar hoppers! This also addresses why jazz clubs have become extinct...


I am sharing this because I am a foodie of sorts, and tend to eat out on all levels... from street tacos in Mexico to high end hotels. I tend to be more frugal when heading out, but the equation is still includes quality, quantity, location, price, service, and ambience. It is fun to go to every corner of that hex now and then, but the taste buds and stomach don't lie! When it comes to restaurants, the correlation between price and enjoyment can seem low to non-existent. For every great meal that justifies a splurge, how many other restaurants serve up food that can't beat a favorite deli or regular takeout place? My wife's cooking beats most restaurants I have ever been, so staying home is an attractive option, too.

Often we pay higher prices at a restaurant for the experience. Or to eat in a venue appropriately "nice" for the occasion. But if you're just interested in getting the best food for your money, it helps to think about the economics of the restaurant biz from the owners' perspective. 

Drinks focused or food focused?

The best profit margins in the restaurant industry come from drinks. Beverages offer 80%profit margins or more in a business where 4% or lower margins are common. That's why they represent, on average, 30% of restaurants' revenues.

Dunkin Donuts recently relabelled itself a "beverages company," acknowledging that revenue-wise, it is actually in the coffee business. Without admitting it, many restaurants are an overpriced drinks company in disguise. While restaurants could use profits from drinks to subsidize great food (or live music), you need to be on the lookout for restaurants that lavish their time and money on bartenders, unique drink menus, and a venue that makes you feel okay about spending $12 for a cocktail, unless it supports live entertainment, which trumps all the little reasons we go the high road....

Are you paying for the food or the location?

When a restaurateur opens up on a prominent street corner, they are paying much higher rent in exchange for the regular stream of foot traffic that they expect to wander into their restaurant. A restaurant out in the boonies is betting that their dishes are delicious enough to lure in customers. Which do you think offers a better deal?

As we covered in our 4,000 word epic on food trucks, this explains why food trucks often offer great deals and more creative dishes: their lack of rent both allows and forces them to experiment and create unique offerings. As pointed out by economist Tyler Cowen in The Atlantic, this is also why strip malls are actually a great place to look for exceptional food, although exceptional is so darn subjective. I'll aim for succulent food, great ambience and timely service, and LIVE MUSIC any day...

Eat where the foodies live

Investors in restaurants caution each other that "Demographics is destiny in the restaurant business." So, a restaurant should fit the type of customers who live or work nearby. Drawing from the drinks principle, that means you should avoid downtown and any office-laden area, as those restaurants will tend to cater to the after work drink crowd. It also means that residential neighborhoods, and not trendy areas full of bars, are your friend, at least for getting the best deal on your food.

Unsurprisingly, this also means that restaurants usually match the style of the neighborhood. Don't go to the crunchy-granola part of town for a steak, and, if you want authentic ethnic food, seek out the areas where recent immigrants from those places live.

There are many more ways to apply economics to being a foodie. In the course of writing this post, this author discovered that the aforementioned Tyler Cowen has many of them covered. Check out his "frugal economist does foodie" rules here.

This post was appended by me, but written by Alex Mayyasi. Follow him on Twitter here or Google Plus

The bright stars begin to fade....

When musicians / performers start out, it is such a thrill to get that fan base aligned, and they come from a place of gratitude.

But when they get big, they think they're 'all that' and start treating fans like doormats, with needlessly late shows and general B.S. Here is some abusive crap from Rihanna on a recent show. WTF?

http://www.tribute.ca/news/index.php/rihanna-hits-fan-with-microphone-video/2013/06/20/

Count your blessings musicians! Keep it humble and in gratitude.



Spectacle vs Substance

At one time personal and intrinsic skills were highly valued and in demand. Once, 'handmade' was a positive term...

In industry, those higher values have been relegated to cheap knockoffs, sweatshops, high profit margins, and the use of machines to mass 'emulate' artisan skills.....

In the movie industry, thoughtful and arguably important 'small' productions are usually trampled by tentpole blockbusters valued by the number of explosions, blood spills, and sex scenes. Exceptional writing, acting and cinematography are often overshadowed by a billion anonymous keystrokes in a cgi lab.

In the music world or any of the arts fields, hard earned and impassioned personal skills seem to only gain wide public attention if wrapped in a swath of hoopla, fireworks, light shows, hit producers, or in a bevy of hot dancers. The truest artistry is often lost or under exposed to the point of extinction, mostly because appreciation skills are never taught and because the 'bottom line' has become the deciding factor in which skillful nuance will live to see the light of day (read: can be mass marketed).

As much as artists and supporters hope against hope that society will save the day, it's not much to hang one's hat on.

Only a groundswell of proactive believers with a true sense of value could ever possibly turn this around......

Are you one?


Working the US this summer - tour schedule

So I am down in Phoenix hanging out, writing, recording, and prepping for my upcoming gigs. Some of my good musician friends are here, like Andrew McQueen, Marion Meadows, and Cal Harris Jr.. My new acquaintance, crack producer Michael Broening resides here as well.... most residents get out of state in this 42C/112F weather, but we have a pool and it is a nice break from a rainy winter.

I have a few small gigs around here, then a cool concert at the Old Pueblo Grill in Tucson on June 30, featuring drummer extraordinaire Peter Swan. Cool venue and appreciative crowd. I've played there before, and it only gets better. Last year I played Tucson at Loews Ventana for a concert co-headlining with Jeff Lorber, and although big fun, the Old Grille experience has a cool packed club vibe rather than a soft seater concert feel.

~60 N Alvernon Way  Tucson, AZ 85711 (520) 326-6000

Sylvia and I will take a road trip from Phoenix to Seal Beach (just down the Coast Hwy from LA) for a night at Spaghettini, the west coast's premier contemporary jazz spot. That show is July 14, and  should be a blowout night.

~3005 Old Ranch Pkwy  Seal Beach, CA 90740
(562) 596-2199
Calendar - ‎Menus - ‎Reservations

August 8   I am doing the Concerts In The Park outdoor show in Vancouver at 666 Burrard. 11:30-1:30

Aug 9  I will be performing at Valleybrook Gardens for a MEDA $1000 a plate charity event (tickets 1 800 824 1120)

Shortly after, I head off to Detroit/Dearborn for a festival on Aug 14 with Alexander Zonjic, and then I catch a red-eye and am back in Vancouver for an outdoor show the very next day...

Aug 15 Metrotower Summer Concerts  11:30 -1:30   4200 Central Blvd (back of Kingsway), Burnaby, BC 

Aug 16  Bentall Music on the Plaza Series  12-1:30   1055 Dunsmuir, Vancouver, BC

I am waiting on confirmation of a gig in Denver for late August, so stay tuned......



Still moving up the charts!

My total terrestrial radio spins are up by 11, and that's good, considering there have been precious few gigs to generate buzz.


I have events coming up soon, which will be added to the site listings, but for now I am happy to be back on the upswing!

Smoothjazz.com Top 50 Main, up to #24 from #27  http://www.smoothjazz.com/charts/

Indie Charts holding at #11 http://www.smoothindiestar.com/charts/

GrooveJazz Charts at #20 up from #31, and at #89 on the Top 100 for 2012 (same page) http://www.groovejazzmusic.com/


RadioWave worldWide Internet charts at #18  http://www.radiowavemonitor.com/format.aspx?IDF=7

I'm still riding Billboard charts at #24 , but strong new entries are starting to edge me out!

Right now I am working on tracks for Bob Baldwin's upcoming CD, and also on saxist Rock Hendrick's new solo project. Rock is the main man on Paul Hardcastle's top current release, and I am featured on a few tracks....

For some sweet weekend fun, check out this young lady on the trumpet.... sweet and in the pocket! http://www.youtube.com/watch?v=dn_jBLEH87U

By the way, did you know last Thursday would have been Ella Fitzgerald's 96th Birthday!

cheers!

Gabe